Fashion glistens towards the East

The East is growing at a rapid rate of consumption with China leading the way. China is developing from an export orientated economy into a consumption driven economy, mainly due to urbanisation and with that comes a new surge of young money. The new clientele consists of young fashionistas who have an interest in the heritage luxury brands of the West, they are cash rich and now due to relaxed legalisation of tax laws and increased travel they are visiting the West to experience the fashion and culture.

Eastern fashion is based heavily around religious beliefs, cultural obligations and tradition it stretches back generations in representing their culture. Western designers are using the culturally well known Eastern motifs and redefining in fresh, modern way in new designs to embrace the growing Eastern clientele. There has been an explosion in colour of fuchsias, oranges and yellows brightening up the catwalks into an Eastern sun set. Lighter, luxurious materials are being used such as silk and sheer linens, they work best in layering of fabrics creating a gliding effect in movement. 

Eastern fashion has had an influence over Western designs for many years Paul Poiret in 1910 was the first to bring Eastern fashion to a Western audience with turbans, Indian style trousers and his famous lampshade tunics.

Louis Vuitton Autumn/Winter 2012 collection had a polished touch and expensive character behind the clothes, garments included fur collared fitted jackets, dazzling jewels and ornate embroidery of detailed dresses and trouser suits. The collection had Eastern influences which could be seen by the styling choices with the aura of the collection being one of refined, polished wealth.

Mary Katrantzou fall 2012 collection embraced the Eastern trend of colour, her beautifully crafted print dresses were in a range of bright, acidic colours. You can feel an Eastern influence by the vivid use of colouring and the hand printed design treatment of the dresses.

Givenchy Spring 2012 Couture collection saw the most recognisable characteristic of an Eastern influence by use of nose rings and drop earrings. Givenchy nose rings consisted of silver embellishment reaching to the wearer’s lips, coupled with gigantic embellished drop earrings. 

The Far East influence cannot just be seen by the style of the designers collections showcased but also in the budding front row presence at many shows, especially at Paris for the Chanel and Dior show where famous Chinese actress Lin Peng was an important guest.

Designers are not just influenced by the East they are setting up stores there as they recognise where their clientele is based and want to cater towards them. Maison Martin Margiela and Alexander McQueen opened stores in Beijing last year, whilst Gucci, Burberry and Hermes opening up shop since 2009. As well as more designers using eastern models in fashion advertisements to attract growing market.

Watch out for explosion of colours, glistening embellishment, sculptured layering and ethereal aesthetics as fashion turns East wards.

Decorative Arts and History museum, Dublin

Housed in the Army barracks of the Decorative Arts and History museum is a Charles Frederick Worth (1825-1895) late nineteenth century designed dress for the wife of Lord Mayor of Dublin from 1898 to 1900.

The designs of the time had a Parisian influence with lavish fabrics and took on historical influences with tight corset framing the wearer into hour glass shape which is then supported by crinoline stiff framework underneath the dress to hold characteristic full bell shape. The rear bustle worked by holding the lavish, heavy fabric so it could drape over the back which had opulent feel.

The overall effect of the dress was elaborate and decorative as seen in the baroque inspired corset with opulent beading. The dress was designed to be seen and represent their husband’s wealth.  

It is a good representative of late nineteenth century Parisian design which Charles Frederick Worth was famed for by his couture designs.

Ugly shoes the new craze

Next Spring 2013 if what we see on the catwalks is to come to fruition the shoe once seen as a sexy accessory has all gone Pete Tong. Flats are in but not the brogues we saw last season of polished leather giving masculine yet sophisticated feel but weird mixes of fur, plastic and futuristic sheen making next Spring seem set in never reaches of shoe envy.

Phoebe Philo for Celine has made comfy shoes the ones for the season, no longer tired feet from walking on pin point stilettos but shoes have furry lined bottoms in bright, garish Eskimo covered ballet pump style.

Prada’s two tongued plastic flats are the worst offenders for me. Firstly who likes wearing sandals that cut in between your toes and secondly they have plastic sheen to them which no doubt will make for a sweaty mix. Prada also shown wooden platform shoes with circular hole cut out of the platform that I like but it all goes bit strange with metallic ankle covering which looks like a sock wrapped around foot.

There's not much can be said about Marc Jacobs pilgrim style shoe, it looks like it been created by Amish on acid.

So for next Spring I don’t know if I’ll be following these crazy shoe trends I think it may be one left for the catwalk where fashion meets ugly.

 

National Gallery of Ireland

I recentley just visited Dublin and had a wander around National Gallery of Ireland the collection that I most enjoyed was that of Jack B Yeats (1871 - 1957) the Irish impressionist painter. His work is full of expression via his use of vivid colourings, bold brush strokes and romantic connotations. It was housed not in the main gallery section but in corridors running off inbetween rooms it made the collection have its own stance and not comparable to others work. 

About to Write a letter 1935


 

Men of Destiny 1946

The singing horseman 1949

Grief 1951



Check out my article for 'ACE Liverpool' an Arts, Culture & Entertainment magazine based in Liverpool.

http://www.aceliverpool.co.uk/setup/?p=928

Science inspired garments

 

Designer Brooke Roberts merged her previous history of working as radiographer with her fashion design and pattern cutting skill to create garments inspired by CT scans and Xrays, she progammed knitting machines to specific patterns to create the garments. I love the merge of science and fashion in her garments in creaing futuristic print. I also like how the garments are knitted it is the mix of knitting and science inspired inspired print which I think is merging old and new techniques. 

Eco Fashion

Oscar Wilde, ‘Fashion is a form of ugliness so intolerable that we have to alter it every six months.’

The fashion cycle rate of consumption is adversely impacting on the environment in each of its production stages from the cultivation of raw fabric to shipment of finished garment. Eco Fashion formally not widely known by mass market is now becoming more accessible by the work of environmentally conscious designers who use, produce and/or promote sustainable and ethical products.  Gone are the connotations of free love, hemp and earth colourings replaced by the respect for people plus planet plus profit in equal measurements.

The timeline of eco fashion.

Eco fashion can be traced back to the 1950s when the social elite wore couture and others who couldn’t afford to buy would follow the trend by making their own clothes. There was a great emphasis on investment purchases of high quality, long lasting goods they were eco friendly without being aware by their slow rate of consumption.

The natural looks that emerged in the 1960s can be linked to the hippies there was a trend for the re-working of vintage clothing into new garments which embraced creativity and individuality therefore rejecting the dehumanising effects of mass production and consumerism.

The 80s and 90s was a time when truly the effects of mass produced goods became common knowledge in the form of sweatshops catching worldwide attention, which encouraged the public to become more aware of what they’re buying into. Katherine Hamnett was one of the leaders in eco fashion became well known by her 1989 ‘Clean up or die’ Autumn Winter collection in which she used organic cotton on slogan t-shirts. Moschino in 1989 used his reputability as a form of expression by models wearing slogan t-shirts such as ‘stop using our waters as a W.C’ on the runway.

The work of Martin Margiela in the 1990s was that of upside down dysfunctional beauty by his re-working of existing garments by first deconstructing them then reconstructing into new forms, for example jacket made from multiple silk scarves. His ecological approach became known for its avant-garde qualities his garments were viewed as works of art which don’t follow passing fashion trend but instead encourage investment on high quality goods.

The twenty first century saw the introduction of green as the new black as legendary fashion journalist Suzy Menkes said in 2006. The same year ‘Esthetica’ by the British Fashion Council was established to showcase cutting edge designer’s committed to working eco sustainably.

Esthetica S/S 2012 London Fashion Week, Henrietta Ludgate one of the designers was one of my favourites by her use of structured colourful designs. As well as Victim Fashion Street her use of reclaimed materials in reconstruction of garments is skilfully done by mix of print.

In proof that the notion of eco fashion had become well received by mass market came in 2007 when designer Anya Hindmarch released the bag with slogan ‘I’m not a plastic bag’ on and was snapped on arms of many a celebrity and in doing so became the bag of the moment with stocks selling out. Eco fashion is now seen as eco cool.

Now to the science that is needed to inform the continual progress of environmentally conscious garments is still in development some possible new techniques consist of biodegradable clothing which is growing clothes out of biomaterial the bacteri al-cellulose is spun and made into material fibre, literally means the possibility of growing a dress out of science beaker so no resources would be depleted.

Designers Andrew Sneider and Diffus designs have managed to incorporate energy production into garment process by creating a solar bikini and solar panelled hand bag retrospectively. They produce enough energy to charge mobile phone and can act as energy capacitors; we will be our very own walking energy producer.

Another concept to reduce energy usage is being researched into the production of a fabric that has a coating made from compound of titanium dioxide which acts as very own washing machine so reducing energy usage as well as water usage. This compound would have capability of breaking down dirt molecules while killing microbes by being activated by UV rays.

To reduce the amount of fabric waste a concept has been developed which utilises a loom attached to computer that weaves made to fit garment sections which can then be sewn together by hand, therefore no fabric waste so saving on raw material.

Ultimately all these innovations in fabric development are concepts at the moment and to promote eco fashion is down to the consumer as consumers drive fashion by their demands. The appeal of slow fashion which is less driven by current trends but dictated by style and high quality garments is the promotion of an ecologically friendly fashion movement.