Supermodern clothing
I feel is represented in four elements of urban armour, urban camouflage, urban
identity and urban nomad/wearable technology. I will explain and show how
modern designers are producing garments defined by contemporary urban
metropolis in clothing that is functional and equips the body with practical
applications.
‘Urban armour’ of the Supermodern wardrobe is built upon warfare
and battlefield metaphor in defending body against urban lifestyle in creating
a space around the body which is secure and defensible around the individual.
Some examples include the 1998 Metropolis jacket by CP Company which has an
inbuilt smog protector and large hood which will protect against wayward stares
and make wearer feel in-control. Vexed Generation was founded by Joe Hunter and
Adam Thorpe in response to increased use of surveillance cameras and being
unable to control when one is being viewed, their solution is clothing which
wraps around the body eliminating sex as well as taking in realistic lifestyle
application in making utility clothing to defend the wearer against the stare
of the camera, therefore feeling secure. This psychological protection of
concealing wearers face can also be seen by Takizawa’s detachable hood in which
wearer has pleasure of looking intimidating as well as functioning like a mask
in being able to see but not be seen, therefore feels more secure in urban
surroundings.
CP Company
Vexed Generation
‘Urban Camouflage’ of the Supermodern wardrobe takes it
influence from camouflage print of the forces but instead uses disruptive
pattern camouflage of blacks and dark blues in becoming able to blend in with
shadows of tall buildings and become less conspicuous in a crowd. Designer
Walter Van Beirendonck takes this to couture styling with tailored suit while
Blechman is more formal in its approach of camouflage creating reversible
jacket in 1998, one side woodland colours the other urban metropolis colouring.
Walter Van Beirendonck
Blechman
Tsumara
Lucy Orta
Jennie Puneus
‘Urban nomad/Wearable technology’ is related to the
Supermodern wardrobe as shows the correlation between consuming new
technologies alongside new fashions in functional clothing that enables the
wearer a balance between self sufficiency and interconnectivity. The nomadic
worker needs supermodern garments that can equip the wearer with all the
conveniences of traditional office whilst manoeuvring urban metropolis efficiently.
Communication scarf is part of French Telecom Starlab i-wear consortium which
is a scarf but inbuilt with hands free phone, screen, keyboard and camera. As
part of designer Yeohlee Teng Autumn/Winter 1999/2000 collection clothing was
100% air conditioned via fabric that had coated membrane, a high degree of
suppleness, water repellence with a very high rate of water vapour transmission
rate therefore ’it breathes’ this enabled the wearer to become fully multipurpose
in moving through transisitional spaces and protects against any inclemency’s
in the weather so wearer is always ready and protected.
Communication Scarf
Concluding the wardrobe of the future urban metropolis is
defined by the fact that as technology advances and our needs and expectances
develop in correspondence to this so does our clothing in being able to protect
and equip the wearer with practical lifestyle applications needed to be able to
correspond to advancing urban metropolis.
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